Expecting an authentic portrayal of sex workers in Hindi films is akin to seeing mellow romance in Quentin Tarantino flicks. There are numerous tell-tale signs to support this. What is common among the following songs – ‘Ghaghra’ from ‘Yeh Jawaani Hai Deewaani’ (2013), ‘Fevicol Se’ from ‘Dabangg 2’ (2012), and ‘Kajra Re’ from ‘Bunty Aur Babli’ (2005)? Perhaps the most obvious