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Lynne Cooke on the art of Rosemarie Trockel - Artforum International

IN THE SUMMER OF 2022, Susanne Pfeffer, director of Frankfurt’s Museum für Moderne Kunst, deinstalled the institution’s storied collection in anticipation of an upcoming exhibition. Titled simply “Rosemarie Trockel,” the comprehensive retrospective would occupy the entirety of Hans Hollein’s postmodern masterwork.1 Next, Pfeffer addressed the inherently disorienting character of the architect’s labyrinthine design. Spurning a strictly chronological layout and didactic forms of institutional guidance on the walls, she would invest her audience with an unaccustomed degree of agency. As visitors

Hiji Nam on Frieze week in New York - Artforum International

LAST THURSDAY AFTERNOON, I waded through the throngs of tourists around the Vessel to meet my friend Anya Komar at the Shed for Frieze. Komar, formerly a long-time director and gallery partner of Miguel Abreu (she now runs Ulrik, in Chelsea), remembered how the fair at Randall’s Island always seemed on the brink of collapse leaky ceilings, sweat, and broken ACs that transformed showrooms into saunas. No such discharge or human frailty at Hudson Yards; although the name of Frieze’s newish location suggests a messy outbuilding to store unused toys or dusty childhood trophies (OK, maybe not such

Rosemarie Trockel s Disquieting Puzzles

Rosemarie Trockel s Disquieting Puzzles
frieze.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from frieze.com Daily Mail and Mail on Sunday newspapers.

Seven Shows to See During Berlin Gallery Weekend

Seven Shows to See During Berlin Gallery Weekend
frieze.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from frieze.com Daily Mail and Mail on Sunday newspapers.

Alexander Galloway with Andrew Woolbright

Protocol is about many things, but maybe most directly about the history of control and the shift from disciplinary societies to societies of control. Can you explain what led you to want to write the book? And those historical differences, which I think are incredibly important?

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