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But beloved as it may be, why in the ever-loving hell has it taken so long for To Kill A Mockingbird to become a theatrical play that is actually worthy of its literary heritage? Sure, there’s been a 1990 (?!) version by Christopher Sergel that’s made it way through every high school auditorium, community theater playhouse and reginal theater over the intervening three decades that we are, quite frankly, sick to death of it. In fact, if we never see it again, we’ve seen it far too often: a warmed over, treacly and maudlin rehash that’s far too dependent on the title’s movie roots to really emerge from a darkened theater to become a consummate American play.

United statesCity ofUnited kingdomHarper leeMelanie mooreJackson hallTom robinsonAnthony nataleAaron sorkinAtticus finchAnn rothScott lehrerHorton footeChristopher sergelHorace gilmerTruman capote