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more difficult one to sustain, and in addition, the so-called mini rooms has a smaller number of writers working together, and those rooms tend to often close before the show begins production, and the problem with that is for a junior writer or a staff writer to move up the career ladder, they need experience doing the production re-writes and experience interacting with actors and editors, and post-production work, and when they have a good idea and pilot script, they are show editors themselves, and without that experience, the writers are mired at the lower end of the career ladder. they have described this as an existential moment, by the writers. do you see it that way? i think it is a difficult moment both for the writers and the studios and the streamers. to take, and to point out the

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