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Because it’s awards season, I’ve been knee-deep in historian Mark Cousin’s 15-part doc “The Story of Film: An Odyssey” and it is thoughtful, informative and takes a refreshingly global perspective on cinema. I’m
Carolina A. Miranda, arts and urban design columnist at the Los Angeles Times, with the week’s essential culture news and Washington dogfluencers:
The legacy of Chicano graphics
“Mujer de Mucha Enagua, PA’ TI XICANA,” 1999, by Yreina D. Cervántez collages images that reflect a range of artistic influences.
(Yreina D. Cervántez / SAAM)
Corn tortillas and edible ink.
Those were the highly unorthodox materials employed by a group of four Bay Area artists in the mid-2000s who called themselves