of it airing on pbs. we are so thrilled to have ken burns here with us. thank you for coming. thank you, my friend. thank you. how on earth is there a white board in your studio that we need to see? like a beautiful mind? are there post its? how do you take something this vast and organize them into pieces. well, most of the credit goes to my longtime producing partner and writer dayton duncan who wrestled the larger intertwining of this sort of russian novel of a story into the eight episodes. and our coproducer, julie dunn fee who found the photographs and the footage and conducting the interviews. it s been an amazing thing. i remember in jazz a lit critic told us of charlie parker perfecting the bebop that he
of it airing on pbs. we are so thrilled to have ken burns here with us. thank you for coming. thank you, my friend. thank you. how on earth is there a white board in your studio that we need to see? like a beautiful mind? are there post its? how do you take something this vast and organize them into pieces. well, most of the credit goes to my longtime producing partner and writer dayton duncan who wrestled the larger intertwining of this sort of russian novel of a story into the eight episodes. and our coproducer, julie dunn fee who found the photographs and the footage and conducting the interviews. it s been an amazing thing.