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This week, the editors recall scholar Branden W. Joseph’s essay “Dark Energy: The Art of Marco Fusinato” from February 2011. Recently for artforum.com, Adam Jasper wrote about Fusinato’s two-hundred-day performance at the Australian pavilion as part of the 2022 Venice Biennale.Joseph’s expansive essay introduced Artforum’s readers to Australian artist and noise musician Marco Fusinato, whose work engages and tests the bounds of radical political and aesthetic acts inside of capitalism. “Though allegorizing historical distance, commodification, even ‘failure,’” writes Joseph, “Fusinato’s work

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