were rec we recommending for safeguarding are there high-quality japanese cuisine whiskey collection, the rotating art, including their exterior mural projects. and last is the san francisco [indiscernible] the event centre was established in 1962 under the leadership of smac [indiscernible] today it is one of the largest residential training and practice centres outside of asia since 1969, the center s main location has been at 300 page street. this building which was originally the emmanuel resident s club was designed to support residential community with small rooms for borders on the upper floors and large communal spaces on the lower floors for activities. although the property is not currently listed in any national or state or local registries, the planning department does recognize the property as a historic resource because it was found to be eligible for listing for its architectural significance. it is julia morgan designed building, constructed in 1922. st
is where we have those other facilities. i know that was a concern that the a.r.c. had, i reiterated it at the joint hearing with the arts commission , and it is noticeably absent from your presentation. so i would like to have you add that back in so that we can fully understand. right here on the right side, you will see how this is the loading zone, this is the middle of the image. [laughter] it shows how the bikeway bends. i think that is the only place it appears. i would find it useful to reintroduce your plans that you have had in the past because that pretty well shows in the tight bottleneck areas where ultimately the pedestrian zone is what gives because everything else is fixed. correct. it is another way to imagine it. the street zone is between 4 feet and 10 feet wide, the pedestrian path, the main path of travel never is compromised, but it is that streetlight zone where the furnishings go, where the bike racks and the seating, et cetera. it goes between
retained to be in conversation with 3. these lowered heights come with matching the height of the others. i should mention that this diagram shows station a rising to 145 feet. we re still working with the department how to scope the building on top of what could be station a. after evaluating the potential retention of station a through urban forum, we wanted to evaluate architecturally. it was shut down in 1965 as a power plant and then partially demolished in 1983. the image is a view of the facade where a train door exists. in this image, the structure before it was half demolished. you can see a lot of it has gone away, along with the structural integrity. this shows interior of what the space looks like and what could happen after building is without for 17 years. but this wall, this history left standing after the counterpoint, left us with a beautiful ruin. and it s very intelligent architect said this isn t a wall, it s a painting. so it now has inspired us to call
community beach house to hear s gold coastnia era. back in the 1920 s, the part of the santa monica beach that was north of the santa monica. santa monica pier was referred to as the gold coast. it was called this because many movie stars and movie industry executives had homes along the beach. it was a very special place to live. these stars and executives would walk along the beach, go to each other s homes for dinners and barbecues and parties and morning coffee. it was quite the place to be seen in the day. we are at the marion davies guesthouse, part of the annenberg community beach house. it is the story of three people. marion davies, the star of silent films and talkies, and julia morgan, an architect, and william randolph hearst, who purchased the property for marion davies. william randolph hearst and marion davies were lifelong companion s. they were the left of each of each other s lives. marion davies grew up as one of four sisters in new york. all of her si
learn more at c-span.org/citiestour. you are watching american tv.ory previously on american artifacts, united states holocaust memorial museum chairman daniel green gave us a tour of the exhibit he created. part one led up to the part one covered the lead up to world war ii. we learned about the america first movement and how the united states responded to nazi persecution and murder of jews as some of the atrocities became public knowledge. this is about 45 minutes. 1,iel: in 1939, on september germany invaded poland and world war ii breaks out that week. what is on america s mind in 1935 is staying out of war. you see deep concern about spies, nazi spies in the united states. at the time, called a fifth column. if theys are asked believe that germany is starting to organize a fifth column, and 71% say yes. you start to see these fear of spies play out in our popular culture and in our political culture. the first american movie, big studio movie to take on nazism is a