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Bob Rafelson's "The King of Marvin Gardens" is a perversely satisfying movie, it works after going out of its way not to, and a very eccentric one. It backs into its real subject in much the same way that "Five Easy Pieces", Rafelson's previous film, did. Only after it's over do some of its scenes and moments fall into place; for much of the way we've been disoriented and the story has been suspended somewhere in midair. As someone wrote about a totally dissimilar movie, Paul Morrissey's "Trash", it's the kind of film you want to walk out of, and then when it's over you want to see it again. The movie opens and closes with autobiographical monologues being delivered by an all-night talk jockey (Jack Nicholson) into the loneliness of the FM airwaves. He works in a darkened studio, stopping sometimes to search for words, and it's evident that his broadcasts tear something loose from deep inside. It's possible, indeed, tha

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