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May 24, 2021 Madalena, the debut feature film of Madiano Marcheti, which premiered this month at the MOMA/Lincoln Center New Filmmakers festival, narrates the aftermath of a murder in a small city along the BR 164 highway in Mato Grosso do Sul. The victim, Madalena, a young trans woman, is discovered in one of the seemingly endless plantations of soy that surround the city, stretching almost unbroken, to the distant horizon. Most murder mysteries hinge on individual characters: victim, detective, killer. Madalena, however, is not exactly a mystery. Structures, not individuals, drive the narrative. And if we never go looking for a killer it is because, structurally speaking, violence and victims such as these don’t generate much interest or surprise.

Mato grossoEstado do rioPier paolo pasoliniKleber mendonJuliano dornelleDilma rousseffMadiano marchetiSergio moroPaolo pasoliniJair bolsonaroBrazil supreme courtLincoln center new filmmakersPier paoloSouthern brazilCenter westCannes jury prize