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Felt+Fat, a Custom Tableware Manufacturer, Reports Direct-To-Consumer Sales Up Nearly 600 Percent Year-Over-Year

Felt+Fat, a Custom Tableware Manufacturer, Reports Direct-To-Consumer Sales Up Nearly 600 Percent Year-Over-Year Share Article The Philadelphia-based tableware manufacturer, Felt+Fat, started by supplying famous chefs and restaurants with handmade tableware and now has developed even further to take on direct-to-consumer sales with transaction numbers for at-home chef customers on the rise. PHILADELPHIA (PRWEB) May 21, 2021 Felt+Fat is elevating nationally in popularity as the go-to tableware manufacturer for restaurants in the United States and even other countries. A few years ago, a Philadelphia artist started a small project when asked to design plates for Eli Kulp’s new concept that became the award-winning restaurant ‘High Street on Market.’ The artist’s small project bloomed into what is now known as Felt+Fat after receiving publicity from Food&Wine magazine. Since their first publication feature,

Tree art is putting down roots

Tree art is putting down roots Tree art is putting down roots Arboreal art is having a moment. We explore how artists are installing trees in public spaces as odes to social change. Branching out of barking fad? Klaus Littmann, Arena for a Tree, 2021. Photography: Gerhard Maurer It may sound far fetched, but we have it under good authority that art is starting to grow on trees. They line our parks, maintain our industries and sustain our existence. And trees’ role in public installation art is far from revolutionary. One need only bark back to the artist and environmental activist Joseph Beuys’

The Quietus | Features | Craft/Work | Deep Forest: Ackroyd & Harvey On Planting Beuys Oaks

Aida Amoako , May 15th, 2021 09:34 Back in 1982, Joseph Beuys proposed a radical plan to plant 7000 oak trees in the German city of Kassel. Nearly forty years later, British artist Ackroyd & Harvey (Heather Ackroyd and Dan Harvey) talk to Aida Amoako about planting new trees outside the Tate Modern with acorns gathered from Beuys original project Ralph Waldo Emerson was talking about history and the individual when he mentioned “the creation of a thousand forests in an acorn” but the phrase springs to mind when considering Ackroyd & Harvey’s project Beuys’ Acorns. 100 young potted oak trees are lined up in uniform rows on the Tate Modern’s South Terrace just outside the Blavatnik building. Their leaves are yellow green, their trunks can barely be described as such, yet they are the very image of potential.

Prophet or charlatan: Who was artist Joseph Beuys? | Culture| Arts, music and lifestyle reporting from Germany | DW

Prophet or charlatan: Who was artist Joseph Beuys? Beuys would have turned 100 on May 12. Decades after his death, the celebrated postwar conceptual artist continues to polarize critics and the public alike. Celebrating Joseph Beuys works The guy with the hat Born in Krefeld 100 years ago on May 12, 1921, Joseph Beuys was mythologized for his groundbreaking conceptual art, but also his signature felt hat. The iconic image of the world-renowned artist with his headwear was forged after Andy Warhol created a series of screen prints of Beuys in 1980. They were based on a Polaroid photograph taken by Warhol in 1979 when the giants of postwar art met.

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