Though the advent of social media has created a brilliant democratic openness, those same social media also carry a lot of destructive tendencies. Many of us remember that we once received thoughtful letters from people who agreed or disagreed with what we may have voiced in an essay, an exhibition, or a lecture; and we knew that those complimentary or dissenting responses each required a certain amount of time to compose.
Anyone familiar with Paul Pfeiffer’s pioneering moving-image work knows that he has been out ahead of “the culture” for more than twenty years. Yet the manipulations and labors he thought to exert on at-one-time recalcitrant film and video frames have now been incorporated into platform and persuasion technologies that have touched us all, whether we’re aware of it or not.
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In the Americans with Disabilities Act’s 30th anniversary year, the Los Angeles County Department of Arts and Culture in collaboration with Claremont Graduate University’s Center for Business and Management of the Arts released a new report on Thursday that lays the groundwork for disability-led content in the creative sector.
Asking the question “who is responsible for ensuring access to art”, the L.A. County Department of Arts and Culture in collaboration with CBMArts released “Accessibility and the Arts: Reconsidering the Role of the Artist,” supporting Arts and Culture’s mission to foster cultural equity and inclusion and make art accessible to everyone in LA County.