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Lost & Found OōEli Store / B L U E Architecture Studio

© Jonathan Leijonhufvud Text description provided by the architects. Lost & Found’s OōEli store in Hangzhou is B.L.U.E.’s second cooperation with the furniture brand ‘Lost & Found’ after the renovation project for the brand at Guozijian Street in Beijing. Designed by Renzo Piano, OōEli in Hangzhou is a comprehensive art park incorporating offices, art spaces, retail, design hotels and show fields. Lost & Found is a lifestyle brand that provides not only solid wood furniture but also ceramics, utensils, fabrics and plants for daily life. During this collaboration, we continues to bring the concept and sense of ‘home’ into the store, echoing a way of life that cherishes things in daily life. The spatial design revolves around materiality of the interior, natural texture and artisan craftsmanship, reflecting Lost & Found’s philosophy of art and daily life.

Meet Fort Street Studio, A Modern Brand Rooted in Craft

Brad Davis and Janis Provisor were already established artists and in their late 40s, when they established their luxury carpets business, Fort Street Studio. Inspired by their passion for Chinese art, and a year-long immersion in the silk-making and woodcut-printing traditions of Hangzhou’s artisans and factories, they set out to weave their own water-coloured dreams into breathtakingly beautiful rugs that now grace the homes of Hollywood celebrities and designer boutiques around the world. Painterly designs on rugs may be commonplace today, but it was Fort Street Studio that pioneered the aesthetic. Davis and Provisor were also the ones who painstakingly translated the ancient weaving process of hand-knotted silk they learned from Hangzhou, which is in a manner that is the same as that of the oldest rugs in the world, only modernised for today.

Team BLDG transforms factory bathhouse into art studio and exhibition space

Team BLDG transforms factory bathhouse into art studio and exhibition space
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Circular Openings: From Boats to Contemporary Architecture

Copy There are two main reasons why boat windows are round. They are easier to seal and, above all, more resistant to the high pressure that water exerts on them. This is because living corners are places where tensions are naturally concentrated, weakening the structure as a whole. This is also why aircraft windows are small and round; high pressures are better distributed in curved shapes, reducing the likelihood of cracks or breaks. In architecture, circular openings are quite old. The Oculus, a type of circular window, has been a feature of classical architecture since the 16th century. Also known by the French expression

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