make this work, we ll, you know, all work together and try to figure out some other line or the best way to do it. matthew perry, he brings his own spin to everything. when we write a line we hear it in our heads a certain way. he will deliberately pick another word in that sentence to emphasize. have you seen joey? what s the matter? oh, just this. a joke doesn t get a big laugh with the actual studio audience, we would sort of huddle and all the writers would put our heads together and try to come up with a better joke. it was worth it because that s what s going on television. joey, i m a little shy. that s okay, ross. you can ask me. what? let s talk about one of the episodes. the one with all the poker. what was it about that particular episode? the people who make friends
i just can t have sex with a sick person. you know, if a line isn t working and it s driving me crazy that i, you know, that i can t make this work we ll all work together and try to figure out some other line or the best way to do it. matthew perry he he brings his own spin to everything. when we write a line we hear it in our heads a certain way and he will deliberately pick another word in that sentence to emphasize. have you seen joey? what s the matter? oh, just this! a joke doesn t get a big laugh with the actual studio audience, we would sort of huddle and all of the writers would put our heads together and come up with a better joke and it s worth it because that s what s going on television. joey, i m a little shy. that s okay, ross. you can ask me. [ laughter ] let s talk about one of the episodes.
then sometimes they would come up with other things in the middle of it and add something. don t take this personally, okay? i can t have sex with a sick person. you know, if a line isn t working and driving me crazy that i, you know, that i can t make this work, we ll all work together and try to figure out some other line or the best way to do it. matthew perry, he brings his own spin to everything. when we write a line, we hear it in our head a certain way. he will deliberately pick another word in that sentence to emphasize. if you seen joey? what does it matter? just this. a joke doesn t get a big laugh with the actual studio audience, we would sort of huddle and all the writers would put our heads together and come up with a better joke. it was worth it because that s what is going on television. joey, i m a little show.
interesting. too many washington institutions end up being too somber and my guess the prayer breakfast that way too. i don t want people writing that i m sackra ligs but the fact made a joke doesn t bug me that much. write this down. charles have at me. they were funny and lighthearted. we know that president trump talks about his ratings and was a joke that i think was in good taste. consensus. what bothers me more is the presumption that we take the full force of government and all of our leaders go to a christian prayer breakfast and have a conversation really about in some respects this kind of christian oppression. really bothered me more he was talking about destroying the johnson amendment and that there were rumors about how they
over. i knew it was a thing. but it wasn t funny. it was funny. thanks, andy. have i said it before. if a joke doesn t have to be explained, it is not funny. confused people don t laugh, says the guy who wrote gilligan s island explaining his one minute intro to the show. that explains the theme song? and the brady bunch and that was his explanation. confused people don t laugh. sherwood schwartz. i am going to start thinking thinking about that all of the time now. like you weren t before? no, clearly i wasn t. you said steven king is just a walking cliche. does that make him a tyrant? no, but the idea is that he is throwing out t out there is tie ran nick cal. i am skipping all of that because it is boring. nick gillespie took a great