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Joji, Reviewed: The First Major Film of the COVID-19 Pandemic

Review: Joji: Macbeth in the time of masks | INDIA New England News

BY VINAYAK CHAKRAVORTY Just when you’d think another fresh take on William Shakespeare’s “Macbeth” couldn’t possibly be done, comes “Joji”. Fahadh Faasil’s new collaboration with director Dileesh Pothan retains the basic outline of human avarice and slant at violence, but sheds Shakespearean grandeur of the story in favour of restraint as it builds up the crime drama. “Macbeth” and its innumerable retellings (including Vishal Bhardwaj’s magnificent “Maqbool”) have traditionally banked on a singular tragic flaw while spelling doom for the towering Shakespearean antihero his ambition. Pothan’s film underplays that bit, and gives the titular protagonist (played by Faasil) the persona of a weakling, ridden by inferiority complex.

Joji Review: Fahadh Faasil Makes This Loose Adaptation Of Macbeth A Must Watch

Joji Review: Fahadh Faasil Makes This Loose Adaptation Of Macbeth A Must Watch Apr 11, 2021, 11:13 IST The name Fahadh Faasil is synonymous with the Malayalam cinema. Having done many amazing films and always trying something new, Faassil never fails to stun the audience. Once again, the actor has done the same with his latest outing, ‘Joji.’ Directed by Dileesh Pothan, this movie takes you through the lives of people in a pandemic-affected world. Joji is loosely based on Wiliam Shakespeare’s, Macbeth. Like most of the Macbeth adaptations, this one as well departures from the typical storyline and embarks on a new route. The setting of Macbeth, here is a small town in Kerala.

Joji review: Slow-burn family drama

Joji review: Slow-burn family drama Dileesh Pothan’s Joji opens with the vast green expanse of Kottayam and narrow, sinewy roads leading to the grand Panachel family residence. While the film is set in the pandemic era, it’s clear very early on that the real malaise lies within the walls of the dark, brooding house. Joji is loosely inspired from Shakespearean tragedy Macbeth and has an operatic mood to it. PK Kuttapan Panachel is the patriarch of the family. He exudes brute strength, literally and metaphorically. He has an ironclad grip over his vast property and his three sons – the brawny Jomon (Babu Raj), the dutiful Jaison (Joji Mundakayam) and the waiflike Joji (Fahadh Faasil). Jomon, who s divorced, has a son Popy who lives with him.

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