Lunchtime lecture series at u. S. Capital historical society. I want to end the series with something instructive, of course but also, not light and frothy by any means but something a , little less serious. By that i made, there is going to be a lot of visuals and i figure visual intelligence is something we can all lay a little bit of a claim to. For those of you who need the more traditional scaffolding, like an outline, we can start off with a few pages of that. For those of you to respond to competitiveness, have a couple door prizes i will give out at the end to people who can answer a couple questions that might occur during the talk. But mostly this is going to be visual. We are going to wait through to going to wade are through two centuries, works of art, mostly paintings, stump statuary of George Washington portrayed in art i should say a little bit about myself. They say i am chief historian, i am not an art historian, but anyone who appreciates the multiplicity of doing hi
Lunchtime lecture series at u. S. Capital historical society. I want to end the series with something instructive, of course but also, not light and frothy by any means but something a , little less serious. By that i made, there is going to be a lot of visuals and i figure visual intelligence is something we can all lay a little bit of a claim to. For those of you who need the more traditional scaffolding, like an outline, we can start off with a few pages of that. For those of you to respond to competitiveness, have a couple door prizes i will give out at the end to people who can answer a couple questions that might occur during the talk. But mostly this is going to be visual. We are going to wait through to going to wade are through two centuries, works of art, mostly paintings, stump statuary of George Washington portrayed in art i should say a little bit about myself. They say i am chief historian, i am not an art historian, but anyone who appreciates the multiplicity of doing hi
Fellowships and a twotime senior fellow at the met. He has spoken internationally on the intersection of american art and history. With that i would like to welcome paul to the lectern. [applause] paul thank you very much. It is a pleasure to be here. Good evening to you. I want to thank my hosts at the tavern and my publisher who is represented here by Sarah Tara Kennedy for publishing , this book. Of arms and artists, this is the book here. It is a hybrid book in the sense that it attempts to do a number of things at the same time. It is meant to be read by anybody. Anyone whos interested in 18th century america. The founding, the revolution. I think you will find many things in here that will be a revelation to you. This is an aspect of that era not previously treated. At the same time, i had been intending to appeal to professional historians. They might learn a few things. Certainly my colleagues might learn a lot from the book. This is my effort to execute a triple steal. The wor
Cities tour along with Cox Communications looks for the literary life of tempe, arizona. Learn about mans relationship with wildfires and an effort to change the narrative and its role in the environment with stephen pine. Years, this country after the great fires of 1910 which trauma sties which traumatized u. S. Forest service, tried to take back the landscape. In the last 50 years, its half the history of our engagement. We tried to put back good fire and that has been difficult. Here from brooks simpson about the challenges of writing history. Im the person that tells the story and i will do it as best i can and as honestly as i can, as balanced as i can but i get to do something fundamentally creative and say this is what i think happened. Onon American History to be cspan3, here about the lives of u. S. Senators very goldwater and carl hayden through their collections of personal and political papers. At carlyou look haydens career, he was really responsible for cosponsoring and