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London s famed institutions have a legacy of slavery

British ships ferried over three million enslaved African people across the Atlantic Ocean. Lloyd’s of London insured many of those vessels, the people chained below deck sometimes categorised as “perishable goods”, alongside cattle, by the market’s underwriters.

The architecture of the National Gallery, one of the defining landmarks of London

The architecture of the National Gallery, one of the defining landmarks of London
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Conservationists determine London s National Gallery Nicolas Poussin painting is real

Conservationists say long-believed fake Poussin painting is real By The Triumph of Silenus, painted in about 1637, is one of three commissioned by Cardinal de Richelieu. Image courtesy of the National Gallery in London April 29 (UPI) A painting of a bacchanal long believed to be a copy of one by artist Nicolas Poussin has been revealed to be an original by the French painter after a recent evaluation and conservation efforts, London s National Gallery announced Thursday. The museum is including the Baroque-style painting, The Triumph of Silenus, in its upcoming exhibit, Poussin and the Dance. It will be the first exhibition dedicated entirely to the 17th century painter, who is known for his religious and mythological subject matter inspired by classical antiquity.

Poussin painting copy to hang in main galleries with new label | Art

Last modified on Thu 29 Apr 2021 10.52 EDT It was bought by the National Gallery in the 1820s as a painting by Nicolas Poussin, the 17th-century French master. But The Triumph of Silenus – a bacchanalian revel – has long been relegated to the storerooms, having been repeatedly rejected by some of the 20th-century’s foremost experts as a mere copy. Now doubts about the picture have been dispelled and it will hang in the main galleries with a new label bearing Poussin’s name. It will also receive pride of place in a forthcoming Poussin exhibition organised by the National Gallery in London and the Getty Museum in Los Angeles.

National Gallery s unloved Poussin is genuine after all | News

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