Program. Good evening everyone. Its a pleasure to welcome you for our program. If you could put away our cell phones, we would appreciate it. If you are wondering why there are bright lights in here, you are going to be on tv. Im kidding, the speaker is going to be on cspan. When we get to the q a, wait until we bring the mic to you. The speaker will repeat the question so you can hear it. Our speaker is teaching at columbia and working for David Rockefeller he joined the cia in 1980 nine and became a Political Leadership analyst on the middle east. He moved to the history staff in 1996 and was appointed chief historian of the cia in 2005. And his biography as director of Central Intelligence was recently declassified. His articles and book reviews and technical collections have appeared on studies in intelligence and intelligence in National Security and the oxford handbook of intelligent security. He has taught intelligence history at George Mason University and georgetown university
Handling. Each week, American History tvs american artifacts visit s museums and historic places. The National Gallery of art was a gift to the American People from financier Andrew Mellon who served as treasury secretary until 1932. Up next, we visit the museum to learn about early american portrait painting and work of John Singleton copley. Dianne hello. We are standing in a room full a portrait by John Singleton copley, americas most important colonial portrait painter. I think as we look around the room, you can think back to the words of john adams 1817 who said when you see his portraits, you want a discourse with him, you want to ask him questions and receive answers. Let me give you some background. In the early part of the 18th century, american early painters without much background and training made ambitious but tentative likenesses onture canvas because portraiture was really the only way to do that. It was the most important type of painting in the colonies. There was a
Welcome back to our lengthy response to the question “Have you been to the Grand Canyon?” In Part I (published May 3), we described the sites we explored on the
Moab, Utah, gets just eight inches of rain per year, yet rainwater flooded John Weisheit’s basement last summer. Extremes are common in a desert: Rain and snow are rare, and
Moab, Utah, gets just eight inches of rain per year, yet rainwater flooded John Weisheit’s basement last summer. Extremes are common in a desert: Rain and snow are rare, and