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John Abraham Fisher Symphonies have plenty of hooks

WTJU Mar 15th, 2021 | By Ralph Graves John Abraham Fisher was all the rage in 18th Century London. He was a violin virtuoso with a streak of showmanship. By his thirties had a share in the Covent Garden Theatre, a hit oratorio making the rounds, and concertized frequently to great admiration (among the public, if not the critics). His six symphonies were published in 1772, and represent an interesting amalgam. To my ears, they had the English sound of William Boyce blended with the Mannheim School techniques of Johann Stamitz. But it’s a blend that works quite effectively. Fisher uses the Mannheim Rocket, building to big crescendos by piling on instruments. His melodies have clean, clear phrasing that lends itself to motivic development. Where he differs from Stamitz and company is in form and orchestration.

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