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Cinco placeres culpables para disfrutar sin complejos
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The Godfather Part III (1990).
Paramount Home Entertainment
The Godfather (1972) and its 1974 sequel,
The Godfather Part II, exist on the same “unassailable” level of cinema history that s typically reserved for only a handful of other films, including
Citizen Kane. These are the rare movies that carry the kind of reputation that few people would ever dare challenge. Perhaps that’s why a lot of people, especially the ones loudly declaring
The Godfather s greatness, seem to ignore the very existence of
The Godfather Part III.
Francis Ford Coppola returned to the well of his greatest commercial and critical success in 1990 for
The Godfather Part III, and it promptly became an unwelcome addition to an accomplishment that by all accounts was already perfect. Much of the negative attention was directed at the fact that Coppola cast his daughter Sofia (who was not then or now an actor) in a pivotal role, and generally repeated too many elements of its predecessors to com
.The cast of 1990 s The Godfather Part III is shown in a scene in a recut version, The Godfather Coda: The Death of Michael Corleone, from director and co-writer Francis Ford Coppola. (CNS photo/courtesy Paramount)
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NEW YORK (CNS) Long reviled as a pale afterthought compared to its two predecessors, 1990 s The Godfather Part III (Paramount) is now available in in a recut version, The Godfather Coda: The Death of Michael Corleone, from director and co-writer Francis Ford Coppola.
For those who have not seen it, or haven t viewed it in some time, it s a reminder that although mobster dramas that draw on events of the past can be engrossing, historical truth always loses out in the process.
Apocalypse Now (1979) on two separate occasions,
The Cotton Club (1984) once, and now he’s looking to repair
The
Godfather III (1990), a movie no one was happy with, most especially him.
Although it would go on to earn seven Academy Award nominations, including Best Picture and Director,
Godfather III seemed cursed from the word go. Coppola entered the project grudgingly. He was broke and felt his only way out was to accept Paramount’s standing offer to continue the Corleone family saga, something he considered concluded after Michael Corleone (Al Pacino) damned himself by killing his own brother.
Then Paramount refused Robert Duvall’s price, so Corleone family consigliore Tom Hagen had to be written out of the script. He was supposed to be the heart of the story. Instead of re-casting the role, he was replaced with George Hamilton, who plays family attorney B.J. Harrison and always looks a little out of place because he looks like George Hamilton and is only there to
Godfather Coda offers a recut version you might not be able to refuse – Catholic Philly
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