Manchester center, vermont in 2009. Its wonderful for us to be here in a state where we feel the spirit of woodstock still lives, and we know there is a woodstock here too. I have to say, i kind of fit all three of the criteria you mentioned about people interested in the book. I was definitely interested in the topic from a historical, musical perspective for a long time. I wish i had been there, but i was 12 years old, living in North Carolina the time, so didnt get to go. Now, i feel like i was there because of getting to spend so much time with michael and working on the book and all the incredible people that weve i have gotten to meet that worked on woodstock with michael, whose stories are also part of the book. Tonight, what we are going to do is talk a little bit amongst ourselves for you guys to listen in. Be thinking of questions because we will have time for questions at the end, after we chat for a little while. Im going to go through a little bit of back story with michae
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As much poetry as NDQ has published over the last 5 volumes, it is reasonable if readers forget that we love and publish essays. As a gentle reminder of both our tradition as a venue for essays of all kinds and as an incitement to consider submitting your work, here’s David Susman’s wonderful essay "Nine…
Curators from the Museum At Bethel Woods are traveling the length and breadth of the country gathering stories and memories from people who attended the iconic 1969 Woodstock festival.