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To generations of film lovers, it seems as if Martin Scorsese has always been with us, as have the cinematic obsessions informing much of his work: The lure of criminality and corruption (Goodfellas), urban alienation (Taxi Driver), and toxic masculinity (Raging Bull). But since his feature debut, Who’s That Knocking At My Door in 1967, Scorsese has also wrestled with his Catholic faith (Silence), changing social mores (Age Of Innocence) and our obsession with celebrity (The King Of Comedy)
butch patrick: back in the 60s what was going on in the country was uh, a lot of people were having issues about who was living next door to who. neighbor: this was such a nice neighborhood, until they moved in. butch patrick: we were of color, even though it was green, but we were like the family you didn t want to have move into the block. sheryl lee ralph: i saw the munsters as the black people. and i thought, i like this. this is good. marilyn: uncle herman i d like you to meet my date. this is. oh uncle herman what s the matter with me anyway? sheryl: back then, the world is bubbling up for a change. i just wish the producers could ve cast black people, but they couldn t. they had to go with real monsters, which is deep in itself. butch patrick: joe connelly and bob mosher created the munster s were powerhouse hollywood writers.
butch patrick: back in the 60s what was going on in the country was uh, a lot of people were having issues about who was living next door to who. neighbor: this was such a nice neighborhood, until they moved in. butch patrick: we were of color, even though it was green, but we were like the family you didn t want to have move into the block. sheryl lee ralph: i saw the munsters as the black people. and i thought, i like this. this is good. marilyn: uncle herman i d like you to meet my date. this is. oh uncle herman what s the matter with me anyway? sheryl: back then, the world is bubbling up for a change. i just wish the producers could ve cast black people, but they couldn t. they had to go with real monsters, which is deep in itself. butch patrick: joe connelly and bob mosher created