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Daft Punk tribute book, We Were The Robots, published by Disco Pogo
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The Quietus | Features | Anniversary | Echo Decks: Stitching Together The Kaleidoscopic Tapestry Of Screamadelica
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3 months old
MarkSinker
This article is more than 3 months old
Hopefully this crisis marks the high tide of the tendency endlessly to remake, remodel and recycle the past
‘TikTok’s freedoms may not last, yet the thriving energy of its myriad unpaid collisions remains.’ Photograph: Kiichiro Sato/AP
‘TikTok’s freedoms may not last, yet the thriving energy of its myriad unpaid collisions remains.’ Photograph: Kiichiro Sato/AP
Sun 10 Jan 2021 09.36 EST
Last modified on Mon 11 Jan 2021 06.55 EST
A decade ago it was fashionable to be concerned that the future was on hold. Where were the flying cars and gleaming cities we had been promised? People worried that culture was increasingly trapped in its own past, awash with reissues and remakes. In contrast to most of the 20th century, very little in the world of music or cinema felt radically new. We seemed to have lost the will even to imagine any challenging way forward.