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Art Directors to Honor Stuart Wurtzel | Hollywood Reporter

Stuart Wurtzel to be Honored by Art Directors Guild Greg Doherty Stuart Wurtzel Wurtzel, whose credits include Hannah and Her Sisters and Angeles in America, will receive a Lifetime Achievement Award. Production designer Stuart Wurtzel best known for his work on Hannah and Her Sisters and Angels in America will receive the Art Directors Guild  Lifetime Achievement Award during the 25th ADG Awards, which will be presented during a virtual ceremony on April 10. Wurtzel received an Oscar nomination for his work on Woody Allen’s Hannah and Her Sisters, following his design of Allen’s Purple Rose of Cairo. He was the production designer on three Peter Yates films:

Flashback podcast: Between the Lines (1977)

About the Show Every two weeks, film critics Dana Stevens (Slate) and K. Austin Collins (Rolling Stone) revisit notable films from the past movies outside of the current releases and that have influenced modern culture and canon and analyze them with a contemporary, critical eye.All episodes Hosts Dana Stevens is Slate’s movie critic. K. Austin Collins is a film critic for Rolling Stone and a crossword constructor for the New Yorker and the New York Times. About

Joan Micklin Silver obituary

Joan Micklin Silver obituary Ryan Gilbey © Provided by The Guardian Photograph: Landmark Media/Alamy A sensitivity to cultural differences, a playful looseness with actors, and a nose for the churn and thrust of interpersonal relationships were among the characteristics of the film-maker Joan Micklin Silver, who has died aged 85 of vascular dementia. She was 40 when she made her debut with Hester Street (1975), the story of a young Russian-Jewish woman arriving in late-19th-century New York only to struggle to match her husband’s aplomb in adapting to their adopted culture. Shot in black and white and scripted largely in Yiddish with subtitles, the film was self-distributed by her husband, Raphael D Silver, known as Ray, who worked in real estate. He volunteered to produce it after being appalled by the sexist responses his wife received; one studio executive had told her that “women directors are just one more problem we don’t need”. The picture attr

Silver Screen

Email Address The first time I entered Yonah Schimmel’s Knish Bakery on Houston Street, I was greeted, across from the signs selling cherry-flavored cream cheese knishes and egg creams, by the poster for Joan Micklin Silver’s Hester Street (1975). I’d just moved from Los Angeles to New York City, unsure of where to go or what to do for paid work, and was spending a lot of hours milling about the Lower East Side, browsing bookshops. On the walls of Yonah Schimmel’s I would pore over the strips of yellowed newspaper clippings, which told stories of the local Yiddish theater players who’d come there in the ’20s to unwind over a knish after a night of performances, and who would stay talking into the next morning. When I finally sat down with a black-and-white egg cream, I made sure to face that

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