Lindsay Duncan and co create a living period piece in Dodie Smith’s rarely performed marvel of a family portrait; Sarah Snook’s one-woman Wilde is so wrong it’s almost right; and the music carries a tame Live Aid nostalgiafest
Baz Bamigboye writes about how the Live Aid musical ‘Just For One Day’ blows the roof off London’s Old Vic as Bob Geldof actor curses his way to stardom.
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