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Pitchfork s viral Måneskin review reminds us music criticism can be savagely entertaining

Malcolm Jack is there for the kicking Pitchfork gave Måneskin. He remembers when reviews were provocative, pithy, opinionated, cutting

Review: Beach House LP Once Twice Melody is a galactic getaway

Review: Beach House LP Once Twice Melody is a galactic getaway
easternecho.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from easternecho.com Daily Mail and Mail on Sunday newspapers.

The best albums of 2021 | The Week UK

What Will the 2021 Song of the Summer Be?

What Will the 2021 Song of the Summer Be?
pitchfork.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from pitchfork.com Daily Mail and Mail on Sunday newspapers.

Music criticism in the digital age: in conversation with Jim DeRogatis

The DePaulia Emma Oxnevad, Online Managing Editor|April 4, 2021 Jim DeRogatis knows what it’s like to face an artist’s wrath. The veteran music critic, who covered pop music at the Chicago Sun-Times for 15 years, was once on the receiving end of an enraged voicemail from singer-songwriter Ryan Adams following a particularly negative review of a 2003 concert. The voicemail, which made headlines once it was made public, is perhaps one of the most well-known examples of music critics facing hostility for performing the basic tenets of their profession: providing criticism and analysis of an artist and their work. The rise of social media as a dominant cultural conversation-starter, however, has given critics both more visibility and greater access from angry fans and artists alike.

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