The irony of Nagraj Manjule’s powerful and disconcerting film lies in the fact that though one lot has shown the temerity to cross the wall – metaphorical as well as literal – albeit helped by someone ‘privileged’ from the other side, the warning inherent in it holds very much for all those who dare to do so in the future. Therein also lies the very real tragedy of the ‘India that is Bharat’.