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I m not prepared to call Apichatpong Weerasethakul s Memoria the best film in this year s competition, but it is the one that came closest to stopping time. I ll confess that, at first, I found it a demanding sit. Weerasethakul, who won the 2010 Palme d Or for Uncle Boonmee Who Can Recall His Past Lives, and who is known to one and all as Joe (and studied at the School of the Art Institute of Chicago), does not make things easy on the viewer. Much of Memoria is filmed in long shot, and without a lot of activity within each frame. From the vantage point of the balcony in the Lumière theater, I wanted binoculars. The shots are held for extended durations. Sometimes the camera inches closer to its subjects, but so slowly that it s hard to notice without watching the edges of the screen. Restless viewers to my right who were chatting during the opening scene when they should have been listening to the film s intricate sound design didn t last long before they bolted. They weren

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