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From the Desk of Ellsworth Kelly

Ellsworth Kelly’s only freestanding building, Austin, is a gleaming jewel in the Blanton Museum of Art’s vast collection. It also serves as a tangible legacy of the artist’s presence in the city whose name he bestowed on his last piece. Kelly’s posthumous gift to the university elevated Austin as an art destination and the premiere […]

Ellsworth Kelly s lifelong practice of collaged postcards are the focus of a major museum exhibition

Ellsworth Kelly s lifelong practice of collaged postcards are the focus of a major museum exhibition Ellsworth Kelly, Columbus Circle, 1957, postcard collage, 5 1/2 x 3 1/2 inches, collection of Ellsworth Kelly Studio and Jack Shear, © Ellsworth Kelly Foundation. SARATOGA SPRINGS, NY .-The Frances Young Tang Teaching Museum and Art Gallery presents Ellsworth Kelly: Postcards, a comprehensive survey of postcard collages by American artist Ellsworth Kelly, on view from July 10 through November 28, 2021. The exhibition marks the first time Kelly’s lifelong practice of collaged postcards are the focus of a major museum exhibition. Widely regarded as one of the most important artists of the twentieth century, Kelly (1923–2015) is known for his abstract paintings, sculptures, and prints that are masterworks in the exploration of line, form, and color. Over the course of more than fifty years, the artist made approximately 400 postcard collages, some of which served as exploratory

Picture perfect: Ellsworth Kelly s rarely seen postcard collages on view in Saratoga

Ellsworth Kelly, Study for Blue and White Sculpture for Les Tuileries (1964), 3 1/2 x 5 1/2 inches, collection of Ellsworth Kelly Studio and Jack Shear © Ellsworth Kelly Foundation To mark the public reopening of the Frances Young Tang Teaching Museum and Art Gallery at Skidmore College in Saratoga, New York, around 150 of Ellsworth Kelly’s rarely seen postcard collages are being shown together for the first time. The exhibition Ellsworth Kelly: Postcards (10 July-28 November) is “an inside view to his process and, in many ways, to his life and history,” says Ian Berry, the museum’s director, who organised the show in collaboration with the Ellsworth Kelly Studio and independent curator Jessica Eisenthal.

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