Seven and
Gone Girl) after years of wanting to make adult animated features and short films at his animation house, Blur Studio. “We couldn’t have been happier at the response to the show,” recalls Miller of the excitement around Volume I and fan reaction for more, according to Netflix’s press release. “It was exactly the kind of passionate reception from animation fans David and I hoped for, but for many long years had been told wouldn’t happen.”
For Volume II, Miller was joined by Jennifer Yuh Nelson (
Kung Fu Panda and
The Darkest Minds) as Supervising Director. Together, they sought talented and diverse animation directors from around the world, for a blend of styles and stories ranging from violent comedy to existential philosophy and romance. “It’s a tonal and stylistic Jenga game,” says Jennifer Yuh Nelson, “trying to figure out which director might best handle what story.”
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