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Mimesis has held a central role in art making since ancient times as a primary means of apprehending the real. This exegesis is an explication of the various mimetic functions that have endured in modern and contemporary art practises such as the readymade and its sculptural simulation. I consider key works by Andy Warhol, Marcel Duchamp, John Cage and Peter Fischli and David Weiss, examining their relationship to the concept and practise of mimesis. I address mimetic representation and replication in dialogue with philosophers such as Arthur Danto, Gorgio Agamben, Jean Baudrillard, Maurice Blanchot and Jennifer Anna Gosetti-Ferencei. This research asks if there is a fundamental difference between the mimetic activity in ancient Greek statuary and in modern and contemporary art practise through an exploration of the connections between trompe l’oeil and the quotidian as reciprocal and interdependent. Additionally, the exegesis seeks to clarify the complex relationship between formal

Andy warholJohn cageGorgio agambenJennifer anna gosetti ferenceiPeter fischliMaurice blanchotDavid weissJean baudrillardMarcel duchampArthur dantoJennifer annaTrompl oeil