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Alternating between its two modes – rollicking satire and elegiac reflection – with whiplash abandon, Damien Chazelle’s three-hour extravaganza, charting Hollywood’s transition to the talkies, is an overstuffed mess.
Within the first 15 minutes of Damien Chazelle's old-Hollywood epic Babylon, viewers would see an elephant crap itself and eavesdrop on a call girl hired to urinate on an obese and self-indulgent movie star. Oh, and that's before the movie's title card appears, aptly setting up the depraved and eye-opening ride that you're about to embark on. The La La.