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Horse, the solos

The seven soloists move in and out of the center spotlight, sometimes performing at the edges, sometimes as a mere shadow in the rear. They lunge with a hip jutted, one arm dangling limply at the side; shrug a shoulder; twist around on their heels, extending arms into a rigid tee, hands drooping at the wrist. Pairs and small groupings emerge accidentally, emphasizing the fleeting connection in our lives during quarantine.

Review: Dancing for themselves in an underworld of shadows

Seven bodies dance in the light, in the dark and in the shadowy in between. One raises a knee as a toe languidly stirs the air. A single arm dangles a

Review: Dancing for Themselves in an Underworld of Shadows

Cullberg, a contemporary Swedish company, makes its Joyce Theater debut with Deborah Hay’s delicate, hypnotic “Horse, the Solos.”

Blessed Unrest s CHASING THE TIDES, OR EXPOSURE Comes to Theaterlab

The award-winning theatre company Blessed Unrest is proud to present the world premiere of Chasing the Tides, or Exposure, a devised solo show exploring how women deal with secrets and expectations that are imposed on them.

Van Cleef & Arpels, NYU Abu Dhabi usher in a new chapter for dance in the UAE

DUBAI: This week, performers from the British dance company Candoco took to the stage at The Arts Center of NYU Abu Dhabi with the support of luxury French jewelry brand Van Cleef & Arpels. Featuring both abled and disabled dancers, the performances for the UAE premiers of “Set and Reset/Reset” and “Last Shelter,” choreographed by Trisha Brown and Jeanine Durning, transcended

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