ON THE MORNING of November 17, 2020, a fire destroyed the Doris Duke Theatre (formerly the Studio/Theatre) at Jacob’s Pillow, a venerable dance stronghold in Becket, Massachusetts. Yve Laris Cohen’s “Studio/Theater,” his current project at New York’s Museum of Modern Art, takes up this conflagration and ties it to another, a 1958 blaze at MoMA that kindled new institutional protocols around conservation.For those who have followed Laris Cohen’s work, there’s an obvious kinship with his “Embattled Garden,” a 2016 exhibition at Company Gallery in New York during which the artist examined,