RECENZE: Třetí sezóna v F1 Radost, strach, naděje a boj o život v plamenech
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RECENZE: Třetí sezóna v F1 Radost, strach, naděje a boj o život v plamenech
eurozpravy.cz - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from eurozpravy.cz Daily Mail and Mail on Sunday newspapers.
Ursula Macfarlane s doc follows a man s quest to solve his own separated-at-birth mystery.
A twisty true-crime story loses much of its appeal in Ursula Macfarlane s
The Lost Sons, a who am I? doc whose subject is more fascinated with that question than most viewers will be. Paul Fronczak was ten years old when he learned he had been the victim of a foiled newborn abduction; only decades later did he realize his story was even more convoluted. Though well shot, the CNN-coproduced film always feels TV-grade at best; its level of drama (not to mention its failure to find anything universal in the specifics of Fronczak s tale) is out-of-place on a festival schedule, even in a year of diminished options.
Sean Clark, and
Sam Blair.
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Cineuropa: Could you tell us about the relationship you have developed with Svalbard, this atypical arctic island territory? How did you find out about this place on the edge of the world which seems to have proven really fascinating for youâ¦
Jean-Louis Schuller: I discovered this place while researching a different project about the Anthropocene. Although it is very remote, its multitude of hotels, adventure companies and cruise ships make it represent an image of a modern travel destination in a globalised world. Together with its epic and dreamlike landscapes, it quickly appeared to me as a great location for a feature film. Furthermore, the people who are drawn to Svalbard are in many cases lost characters, like Luc, who start over at the end of the world. I tried to incorporate some of these characters in the film and have them play themselves, like the Russian builder, Aleksei. The tou