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How Opera Became a Spectacle in the Baroque Era

How Opera Became a Spectacle in the Baroque Era
theepochtimes.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from theepochtimes.com Daily Mail and Mail on Sunday newspapers.

ABO: Notre Dame review – odd on paper, an absolute treat in reality

<strong>Melbourne Recital Centre, then Sydney City Recital Hall<br></strong>The Australian Brandenburg Orchestra and playwright Alana Valentine have created a joyous work about the history, destruction and restoration of Notre Dame

Ruth Leon recommends The Imaginary Invalid – Red Bull Theatre

Joy, sorrow and the viola da gamba - Quadrant Online

Music isn’t completely human. - Sainte-Colombe The fifteenth-century viola da gamba (Italian, “viol for the leg”) or gamba, is played straddled like a cello. But the resemblance ends there. It is smaller and more delicate. It has five to seven strings, rather than the four of a cello, is tuned in fourths, rather than perfect

After Rameau, French Opera Would Never Be the Same

After Rameau, French Opera Would Never Be the Same
theepochtimes.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from theepochtimes.com Daily Mail and Mail on Sunday newspapers.

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