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Sculptor Stephan Balkenhol honors the collection of Old Masters at the Museum Wiesbaden

Vermeer s hidden Catholic faith - Catholic Digest

Vermeer’s hidden Catholic faith Way of Beauty Share by Fr. Anthony Giambrone, OP Dutch genre and landscape painting is a wonderful, placid gift to the world. The humble serenity that perfumes these images of simple people and daily chores, of pleasant homes and peaceful homelands, breathes a humanity rich with the tranquil comfort of the familiar. It is not the wild adventures or exotic sights abroad of the great seafaring nation that charm in these tableaux, but rather the calm return and immersion in habitual quiet. An appreciation of the unique and magnificent tradition of painting in the Netherlands requires a keen sense for the history of that land, for these secular images served like dikes holding back the raging seas. This is especially true in regards to religious art. Already in the humanistic Renaissance a great workshop of gorgeous, pious painting, perhaps no region of Europe was so savagely caught in the violent riptides of the post-Reformation Wars of Religion. T

In her book Twelve Paintings Tal Sterngast explores the contemporary relevance of the Old Masters

In her book Twelve Paintings Tal Sterngast explores the contemporary relevance of the Old Masters Rembrandt Harmensz van Rijn, Susanna und die beiden Alten, 1647, Öl auf Mahagoniholz, © Staatliche Museen zu Berlin, Gemäldegalerie / Christoph Schmidt BERLIN .- Reading familiar paintings in new ways: In her book Twelve Paintings: Excursions in the Gemäldegalerie of the Staatliche Museen zu Berlin – published by Hatje Cantz-Verlag – author Tal Sterngast takes a closer look at selected works from the collection of Berlins’ Old Master Paintings in a new and subjective way. Sterngast analy-ses masterpieces by Caravaggio, Rembrandt and Vermeer through the lens of contemporary social and art-criticism discourses, revealing that the Old Masters still have a great deal to say to us today.

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