Hugo Nominees: 1999 tor.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from tor.com Daily Mail and Mail on Sunday newspapers.
Aliette de Bodard,
Seven of Infinities (Subterranean 10/20) A scholar investigates murder in a house designed by an architect fond of puzzles in this engaging far-future SF mystery novella set in the Xuya universe. “It’s a tightly written jewel of a story, intense and full of feeling, and I recommend it highly.” [Liz Bourke]
Scott Edelman,
Things that Never Happened (Cemetery Dance 9/20) Edelman’s latest collection offers 13 eerie and engrossing horror stories, with comments on each by the noted author/editor.
Paula Guran,
The Year’s Best Dark Fantasy and Horror, Volume One (Pyr 10/20) Guran’s year’s best anthology series continues with its first volume from Pyr, after ten previously from Prime, with 25 stories from 2019. The impressive line-up of authors includes Pat Cadigan, Theodora Goss, Ellen Klages, Ken Liu, Carmen Maria Machado, Sam J. Miller, Joyce Carol Oates, and Rivers Solomon.
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INTRODUCING BUTLER TO NEW READERS. Elizabeth Connor describes the work of “repackaging the Patternist Series for the Mother of Afrofuturism” in “How to Give Octavia Butler the Covers She Deserves” at
Literary Hub.
…After some back and forth and plenty of discussion with the editor acting as mediator we determined that by elegant, they likely meant more stylized human forms in more sophisticated poses, as well as a textural or brushy quality to the art (as there had been on the Parable books), that lent an air of being hand-drawn rather than machine-made. As for dynamic, we soon understood that the symmetry of the earliest comps was what the agent and estate were reacting against. By simply breaking the vertical axis and giving each cover a certain degree of asymmetry even as the figures revolved around a central “moon” shape that remained static they felt much more alive. The designer came back with revisions and, in relatively quick succession,
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INTRODUCING BUTLER TO NEW READERS. Elizabeth Connor describes the work of “repackaging the Patternist Series for the Mother of Afrofuturism” in “How to Give Octavia Butler the Covers She Deserves” at
Literary Hub.
…After some back and forth and plenty of discussion with the editor acting as mediator we determined that by elegant, they likely meant more stylized human forms in more sophisticated poses, as well as a textural or brushy quality to the art (as there had been on the Parable books), that lent an air of being hand-drawn rather than machine-made. As for dynamic, we soon understood that the symmetry of the earliest comps was what the agent and estate were reacting against. By simply breaking the vertical axis and giving each cover a certain degree of asymmetry even as the figures revolved around a central “moon” shape that remained static they felt much more alive. The designer came back with revisions and, in relatively quick succession,�