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My fair gentleman | The New Criterion

David Platzer on “Dürer’s Lost Masterpiece” by Ulinka Rublack.

Albrecht Dürer Painted Himself Into a 16th-Century Altarpiece to Spite a Patron Who Paid Him Poorly, New Research Suggests

Death of an altarpiece

Albrecht Dürer s genius for self-promotion

Albrecht Dürer, one of the most narcissistic artists that ever lived (and it’s a crowded field), would have loved this book. It lays out methodically, with academic brilliance, the marketplace, techno-aware basis of the ‘Dürer Renaissance’ and the artist’s rise to immortal fame. With a glorious accumulation of detail, assiduous research and – as she

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