a musical that didn t follow an obvious plot. company was a series of vignettes featuring a dozen central characters. no two sondheim musicals were the same. i don t want to get bored writing them, you know? when you hit a chord that you ve hit before, or a technique you ve used before when i do, i get very nervous. and i think i ve written that i mustn t do that, somebody will catch me up on it, so to speak, it s as if somebody s saying, wait a minute, you did that in that show. into the woods was based on fairy stories like jack and the bea nstalk . sondheim s music was rhythmically complicated and harmonically sophisticated. # we ve no time to sit and dither while her whithers wither, wither. # and no one keeps a cow for a friend. # artists are bizarre # fixed, cold # that s you, georges,
when you hit a chord that you ve hit before, or a technique you ve used before when i do, i get very nervous. and i think i ve written that i mustn t do that, somebody will catch me up on it, so to speak, it s as if somebody s saying, wait a minute, you did that in that show. into the woods was based on fairy stories like jack and the bea nstalk . sondheim s music was rhythmically complicated and harmonically sophisticated. # we ve no time to sit and dither while her withers whither, whither. # and no one keeps a cow for a friend. # artists are bizarre # fixed, cold # that s you, george, you re bizarre. one of his cleverest creations was sunday in the park with george about the painter george surratt, who is most famous painting was recreated by the characters on stage. art is not an easy thing to do. and i ve heard people say, oh, so and so s so talented,