By Shah Abbas Srinagar, India, Sep 20 (EFE).- The Indian film industry has turned its cameras again to the idyllic Himalayan countryside of Kashmir after a three-decade break as separatist violence declines in the disputed region that the Mughals called a “heaven on earth.” The return of the Bollywood to shoot in Kashmir coincides with …
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Daily Times
July 8, 2021
In my humble assessment, Dilip Kumar’s acting career spans three phases.
First span is when he was young hero in Black and White days. Second phase was when he was taken as a hero but by then he had converted from youthful looks to mature looks but his roles mostly remained romantic ones. Films were made in colour by then. Third phase was when he did some character roles. I constructed my earlier article on his personal struggle and movies up to 1956; Jugnu, Footpath, Andaz, Tarana, ‘Sangdil’ etc. Earlier he acted in Jwar Bhaata directed by Amiya Chakarvarti, Pratima, Milan directed by Nitin Bose, Ghar Ki Izzat, Shaheed directed by Ramesh Sehgal, Mela directed by SU Sunny, Anokha Pyar (1948), Nadiya Kei Paar directed by Kishore Sahu and Shabnam directed by B Mitra.