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i think. it s lovely. and then, of course, what happens is that with the rise of the troubles, there are, you know, barricades and divisions and the world around him starts to change. and so, here s the thing with the film on the one hand, it s like, you know, john boorman s hope and glory is being referenced here, because it s like a child s eye view of conflict. yep. it also has something of alfonso cuaron s roma which, of course was a big success at the oscars. it s shot in black and white, branagh said, because he remembers his past in black and white, but also because black and white enables you to do infinite shades of grey in terms of the political turmoil. i also think it s important to acknowledge that there is a lot of terence davis in this particularly in the fact that when he the kid goes to the cinema and the cinema is suddenly in colour, chitty chitty bang bang is suddenly in colour, and that thing about the rapture of going to the cinema when you re young is some

Love itFilm on the oneKenneth branaghS romaIt sIts shotHope and gloryJohn boormanAlfonso cuaronThe storyPast in black and whiteBlack and whiteShades of greyTerence davisReal cinemaChitty bang