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ABSENT FROM THE FIRST RANK in modernist art histories, Sonia Delaunay occupies a prime place in narratives of twentieth-century textile design and fashion.1 A current retrospective calls that long-standing evaluation into question. Boldly redefining its subject as an “avant-gardist, entrepreneur and commercially minded businesswoman” descriptors that reverberate richly today the show at the Louisiana Museum of Modern Art in Humlebæk, Denmark, foregrounds its revisionist goals. From the outset, deep-rooted hierarchies segregating the fine and applied arts hierarchies that Delaunay herself never

New yorkUnited statesFrance generalNational gallery of artDistrict of columbiaUnited kingdomMetropolitan museum of artMichel fokineRachel silveriRobert delaunayMadeleine vionnetSheila hicksLiubov popovaBlaise cendrarsWilhelm uhdeGriselda pollock