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therere was seisismic acactivity in n seattle. anchchor: the swswifties danced andnd jumped soso muc. ananchor: the e equivalentntf a a 2.3-magnititude earthqhqu. tayloror swift s i impact on p culturure today isis extraordid. the concncert, fromm my undnderstandingng, genenerated billllions of dodo. vanessa a yurkevich:h: one econt susuggests thahat taylor s sw, through h her us touour, coud add $5 billion to o us gdp. if cacari champioion: you re e o 8080, you knowow a song off tataylor swiftft s. nate rogers: i in modern pop timemes, you havave yoyour cream-o-of-the-cropop ar. and taylor swift is probably arguably the tip of the top. anchor: : pop star t taylor swis takiking her rececord-breakikins tour t to the big g screen. cari c champion: t there sees to be e not only a a fascinati, but an o obsession w with wht shes sininging, who o she singg to, who heher friends s are, whwhat these s songs mean n to. we have e a dedicateted nfl cacam to taylolor swift in all of f th
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clark: slowly but surely, the 1970s are disappearing. the 1980s will be upon us. what a decade it is coming up. happy new year! [ cheers and applause ] auletta: as you begin the 80s in the television world, the landscape was, on any given evening, 9 out of 10 people were watching ononly one of f three netwtwork. more thahan 30 millilion peope are addicted to o it. social critics are mystified by its success. what is it? it s television s prime-time, prairie pot boiler, dallas. bobby:y: a move lilike thatl deststroy all ofof ewing , and it l ll ruin our familyly name. i assure y you, a thouought le that nevever crosseded my mind. brotheher or no brbrother, whatever i it takes, i llll stop you u from destrg ewewing oil. dalallas realllly did estatah new ground in termsms of the weweekly, one hour s show thatat literallyly captivated amererica for 1313 years. dallas is a television s show whwhich in somome ways is s rd in t the 1970 ss and onone of the c crazy thins that