rock n roll. we made this vie. and the guy who was shooting it, he had shot documentaries. and i thought, he will be perfect. hello cleveland. and he is watching this, saying what s funny about this? this isn t funny. this is exactly what goes on. to me, that was a great compliment because it was saying we re capturing what real life actually experience in that rock n roll world. and that s the best comedy, the comedy that connects with real experience. people said, oh, this is so new. and you say, well, no. actually, you could take that back to woody allen s take the money and run. woody allen s ruddles with eric idle was a mock yumtry that was a precursor. but spinal tap game the success. mox yumtry is in television. the herky-jerky camera that we
counterculture prior to that. the 1970s were a fertile time for humor. and you people were a bitter, caustic, bitter, smutty, funny. drunk. drunk. and outrageous. the vietnam war was lost. the civil rights movement had won. and the argument was over. but of course, the craziness of that period is one thing that made national lampoon a su succe success. people needed to laugh. you did a parody of the joy of sex the job of sex. we did the job of sex. punching in, workman s compensati compensation. at national lampoon there was enjoyment of being edgy and shocking. you re listening to the national lampoon radio hour. it was a syndicated radio
we don t mean anything sexual. that s your fault. the zucker brothers proved it s not as funny to have a goofy guy being goofy. but itorks when you have serious people doing outrageous things. if we had anything to do with all the great satires that came after us, i m thrilled. if we encouraged people. that smells like pure gas li lean. they ve done studies, you know. 60% of the time it works every time. that doesn t make sense. people maybe said, gee, i can do that. oh, behave. yeah. yeah, baby.
spontaneously combust each year. it s just not widely reported. yes. movies kept getting rock n roll wrong, so the real drive of the project was, it s not that hard. let s get it right. my baby big bottom it helps to like something enough to pay close attention so when it comes time to parodyize it comes naturally. that s not parodize lost. is that in the film? no, but in the sequel. none, none. is that good? rock n roll! we made this movie and the guy who was shooting it, i hired him because he shot all these rock n roll documentaries and i thought, he ll be perfect. hello, cleveland! hello, cleveland! he s watching this and he says, what s funny about this? this isn t funny. this is exactly what goes on.
night, giving news and information that i argue you can t get anywhere else. i even watched about eight minutes last night of a cnn program, so bitterly partisan, factually inaccurate, i couldn t take it anymore. people tweeting, we know it s fake news. here s the issue. we know there was collusion, there were meetings with paid dnc operatives, and the ambassador of ukraine, and information is passed on to the hillary clinton campaign, and dnc. then the christopher steele, russian dossier, money paid out, russian information given in that particular case. comey even wanted to hire the guy. there s so much evidence of collusion on other side, and nobody else is talking about it. this isn t funny at this point. sean, they ve made a decision. my white house colleague coined the phrase last week, the fake news industrial complex.