This is not to conserve the bow house tradition but rather to act as a forum for discussion. Aesthetic and social questions are opened up again viewed through the mirror of history. And there are some incredible things to see from playful structures and expression and sketches to little wooden houses with socalled furniture for the people functional but far removed from what is supposed to be bell house style by maya has long been a place of experimentation. Assumes self said that before tackling the design of objects you basically have to put people in new clothing particularly during that period in the 19th tens and twentys there was a lot of talk about the new human but everybody meant Something Different by it selfe also reflected many different concepts and images of the Human Dimension of conflict here it was a time of upheaval on the one hand the human body was liberated but on the other the human was in slave to the rhythm of the machine technical progress of hope both
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still relatively unknown. isa copius is now a novel heroine but in real life she was an editor organizer and equal partner for the ball house founder. and. the few surviving documents show that milly gosh was a great designer and far ahead of her time but starting in 1933 when the nazis came to power wasn t so choosy about who she worked for she wasn t the only one. when the nazis took over $950.00 story they closed down the. bond controversially some leading bell houselights continued they would. to each his own i m a cop saw him at the nazi concentration camp and who can feel it. created by inmate and former boss pupils funds and it uses the unmistakable boss typeface despite the