so i m on a mission to find out how opera is making itself fit for the future. this time i m meeting some of the top creatives who make sure that the magic happens so that the big stars can shine so brightly on the night. i feel it really like a pilot. i mean, we are ready. the plane is fine. we have checked everything we could check. everybody is on board on time. we take off, but then anything can happen. la scala in milan is one of the greatest opera houses and a firm favourite here is the thrilling bulgarian soprano sonya yoncheva. i think it s a special moment where instrumentalists and voice are collaborating in a way that they inspire each other. everyone likes sonya. she s a gorgeous voice, first of all, she s a very good musician. the art of putting together an opera and how it s being reimagined in the 21st century.
they ll insist on their own reasonableness the entire time. dalia explained to us what he shored that day that gave us the basis for that take. listen. i think going into arguments today, there was a narrative that went, this isn t really a 6-3 court. it s a 3-3 court that amy coney barrett and brett kavanaugh and the chief justice are instrumentalists. they care what people think. there was no reason to believe, other than the chief justice trying to figure out a middle way not to overturn roe, maybe we could move the viability line there was no reason to believe, rachel, that he had a single other person on the court with him in that project. i think anyone who could count counted all the conservative justices except for roberts gunning for roe. you said today in your piece