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Last modified on Tue 23 Feb 2021 03.58 EST In the opening scene of Fanny and Alexander, a boy is alone in an empty house, playing with a toy theatre lit by candles. The 1982 film is an appealing portrait of the artist as a young man and, two years later, Ingmar Bergman presented a similar image in his next film, After the Rehearsal. The theatre director Henrik (portrayed by Erland Josephson) remembers creating his own makeshift stage as a child with a box and some bricks. It is a telling contrast to the ornate model playhouse that belongs to the young Alexander, played by Bertil Guve, who appears briefly in the later film, too, in a cutaway as the 12-year-old Henrik. Fanny and Alexander is a sweeping family drama told with an ensemble of actors; After the Rehearsal is less than half its length, with just a trio of characters. If the former is the crowd-pleasing main-house production, the latter is an experiment in that theatre’s studio space.

City ofUnited kingdomIngmar bergmanErland josephsonRakel ingrid thulinAnna lena olinHedda gablerBertil guveLena olinIngrid thulinDream playநகரம் ஆஃப்ஒன்றுபட்டது கிஂக்டம்இஂக்மர் பெர்க்மேன்அண்ணா லீனா ஒளின்லீனா ஒளின்