utopism. the mind is capable of infi in the fantasies infinite fantasies, there are common themes, social experiments, imprachtbility and impossibility of which in small ways and large lead to the individual of sub jo gags. subjogation. president joe biden and democrat party provide . and a slew of executive orders claiming to end numerous historical and cultural injustices. so too does their demand for absolute one party control over the body politic, through extra constitutional schemes and other means. as marxism does not tolerate the competition of ideas or
Infinity: Q4 Earnings Snapshot
FacebookTwitterEmail
CAMBRIDGE, Mass. (AP) Infinity Pharmaceuticals Inc. (INFI) on Tuesday reported a loss of $10.6 million in its fourth quarter.
The Cambridge, Massachusetts-based company said it had a loss of 17 cents per share.
The results fell short of Wall Street expectations. The average estimate of four analysts surveyed by Zacks Investment Research was for a loss of 16 cents per share.
The drugmaker posted revenue of $436,000 in the period, which met Street forecasts.
For the year, the company reported that its loss narrowed to $40.5 million, or 68 cents per share. Revenue was reported as $1.7 million.
In the final minutes of trading on Tuesday, the company s shares hit $3.10. A year ago, they were trading at 69 cents.
Hungarian Film and TV Biz Make Play for Global Stage at Berlin Festival
Alissa Simon, provided by
FacebookTwitterEmail
For the first time ever, two Hungarian films are competing for the Berlinale’s Golden Bear: “Forest – I See You Everywhere,” a standalone sequel to the 2003 Berlinale hit “Forest,” from veteran auteur Bence Fliegauf, and “Natural Light” from feature debutant Dénes Nagy. Csaba Káel, chairman of the National Film Institute of Hungary (NFI), says, “I believe it demonstrates the vitality and strength of the Hungarian industry flourishing despite the unprecedented circumstances caused by the pandemic worldwide.”
The two films represent opposite poles of current Hungarian filmmaking. Brimming with discourse, the independently funded “Forest” tells multiple complex, engaging stories of contemporary life in Hungary. And as he did in his Berlinale-winner “Just the Wind” (2012), Fliegauf creates deep empathy for his characters who deliver sta