but then things suddenly took a turn for the worse the pression cultural heritage foundation cancelled the exhibition. for one switches from india machine in the end it became increasingly difficult for us because everything that needed to be resolved the selection of the works questions about transport and insurance etc had been resolved but in order to actually start the ball rolling so to speak to begin packing them for transport we needed export permits and they were not issued in time but that s when we said it was now impossible for us to do any further planning under such conditions this was a meeting when she refused. i believe that this exhibition had to come about this dialogue between western art of the twentieth century and iranian art of the twentieth century would have changed perceptions of iran in germany and europe and the monk the public visit to get i
preparations were in full swing for the eagerly awaited opening day. all the difficulties it seems had been resolved and everyone had great hopes for their own form of dialogue between cultures. but then things suddenly took a turn for the worse the pression cultural heritage foundation cancelled the exhibition. for once with us from india machine in the end it became increasingly